Кутюрье из парижа: парижский кутюрье 4 буквы

Из Парижа с любовью: Жан-Поль Готье приехал с авторским шоу | Статьи

Жан-Поль Готье приехал в Россию со своим авторским Fashion Freak Show. В Московском дворце молодежи представление, соединяющее ревю и дефиле, театр и видео-арт, будет идти полторы недели — с 6 по 16 февраля. Прежде оно было показано в Петербурге, где великий кутюрье и рассказал «Известиям», что эксперимент вырос из его работы со звездами музыки и кино.

По словам Готье, он больше не будет создавать коллекций для показов. В его планах — сочинение подобных авторских шоу, возможно, работа в театре и кино. Готье делал костюмы для таких культовых фильмов, как «Повар, вор, его жена и ее любовник», «Кика» и «Пятый элемент».

— Участие в проектах, где мне приходилось учитывать волю другого автора, напоминает о тех временах, когда я работал на других кутюрье, — рассказал «Известиям» Жан-Поль Готье. — Так, в молодости я работал у Пьера Кардена и делал какие-то вещи в его стиле. Когда я сочинял костюмы для концертов звезд, для фильмов и мюзиклов, то приспосабливался к желанию режиссера или артиста. Конечно, я всегда привносил что-то свое, но с осознанием, что это прежде всего его история. Работать со звездами, как Мадонна или Милен Фармер, с режиссерами такого масштаба, как Альмодовар, Бессон или Гринуэй, было необычайно полезно. И когда затем я вновь делал что-то от-кутюр, этот опыт развивал мой собственный стиль. Но чем больше я сотрудничал с великими, тем больше мне хотелось сделать свой спектакль.

Танцующие мишки в конусовидных бюстгальтерах — по типу легендарного костюма от Готье, в котором щеголяла Мадонна, — и целый парад танцовщиков в перьях и пайетках, знаменитые тельняшки и «банановые плавки», мужественные мужчины в женском, женщины с искусственными ногами и руками. На зрителя обрушивается весь этот карнавальный поток, завораживая эстетикой поп-арта и обаятельной наивностью. Перед публикой проходит жизнь кутюрье — от одного ключевого эпизода к другому. Легко, интересно, на грани между китчем и нежностью.

Готье, выступивший сорежиссером шоу вместе с Тони Маршалл, говорит о себе через рассказчиков. За его детство «отвечает» плюшевый мишка Нана. Именно для него маленький Жан-Поль в отсутствие кукол изначально придумал конусовидный бюстгальтер. Когда речь идет о становлении молодого модельера, рассказчицей становится дамочка в темных очках и парике каре — этакий шарж на редакторшу американского Vogue Анну Винтур. В этом шоу она эксперт с подозрительно меняющимися взглядами на Готье: только что порицала за дурновкусие, а вот уже заверяет, что всегда любила Жан-Поля.

В видеороликах, иллюстрирующих этапы жизни Готье, снимались его прославленные друзья. Экзотичная Росси де Пальма — актриса, открытая Альмодоваром, с блеском сыграла первую учительницу, недовольную, что ее ученик рисует на уроках; Катрин Денев выступила в роли директрисы модного дома, остроумно комментирующей мужскую коллекцию, в которой Готье размыл границы пола.

Денев зрители видят на экране, а дефиле — вживую. Их в представлении несколько, каждое посвящено какой-то вехе творчества Готье. В одной коллекции он доказывает, как может быть художественно «переработан» мусор, в другой отдает дань людям с ограниченными возможностями: по сцене двигаются модели с искусственными частями тела и лечебными аксессуарами, отсылающими к Фриде Кало, еще одному объекту преклонения Готье. Есть и реверанс русскому конструктивизму, повлиявшему на дизайнера. Складывается портрет художника, лихо сочетающего высокое и низкое, мужское и женское, моду как чистое искусство для избранных и нечто функциональное для масс.

Удивительно, как элегантно и без нарциссизма Жан-Полю Готье удается рассказать о себе. О человеке, который сделал себя сам, стремился к свободе во всем и не сломался, которого можно назвать фриком — при всей уже стертости этого понятия.

Готье всегда отличался от большинства: эстетическими воззрениями, имиджем, даже своими манекенщиками, среди которых были низкие, полные, пожилые. Но в этом шоу в позиции «не таких» нет высокомерия к большинству. Спектакль излучает любовь ко всем людям.

ЧИТАЙТЕ ТАКЖЕ

90000 Space Age Couturier — WWD 90001 90002 90002 90004 90005 PARIS 90006 — Fashion designers and politicians united to pay tribute to the vision of André Courrèges, the father of Space Age fashion, who died Jan. 7 at the age of 92 after a 30-year battle with Parkinson’s disease. 90007 90004 Courrèges created a style that has at times been referenced by everyone from Marc Jacobs to Karl Lagerfeld and, at its height, made him one of the key couturiers for the jet set. A тисяча дев’ятсот шістьдесят п’ять WWD article was headlined in bold capital letters: «To wear Courrèges you must give yourself to him completely.Surrender. » 90007 90004 Rose and Jacqueline Kennedy, Gloria Guinness, Paulette Goddard, Françoise Hardy, the Duchess of Windsor, Lee Radziwill and Liliane Bettencourt were among those who wore his designs. 90007 90004 With a desire to create clothing that was functional and liberating, Courrèges was one of the first designers to recognize the importance of ready-to-wear. «You do not walk through life anymore. You run. You dance. You drive a car. You take a plane, not a train. Clothes must be able to move too, «he said.90007 90004 This freedom of movement fueled his inspiration. «I feel there is a very strong mood in the air,» he said. «Women want to wear casual, sporty clothes by day.» 90007 90004 His fellow futuristic visionaries included Paco Rabanne, Pierre Cardin and in California, Rudi Gernreich. Rabanne was among the designers lamenting the loss of one of the industry’s greats. 90007 90004 «Alas, we are all mortal. For me, he was a very important figure in fashion because we started at the same time.Courrèges, Cardin and I were called the three musketeers. It’s the end of an era in fashion, but it’s inevitable, «he said. 90007 90004 Ralph Toledano, president of the Fédération Française de la Couture, du Prêt-à-Porter des Couturiers et des Créateurs de Mode, French fashion’s governing body, said Courrèges was one of the rare designers to invent a style and also the first to harness the power of manufacturing to develop ready-to-wear. 90007 90004 «When he built his factory in Pau, he wanted to reflect in its architecture the same artistic approach he brought to his clothes, so his creative vision was totally consistent.Perhaps the first artistic director was not Tom Ford, but rather André Courrèges, «he said. 90007 90004 «He was both a revolutionary and a visionary,» Toledano added. «He strived obsessively for freedom, functionality, modernity and relevance. His influence is keenly felt nowadays, and there are many highly influential designers today that have assumed the heritage of Courrèges. » 90007 90004 Lagerfeld said: «In the Sixties he was the biggest influencer of fashion. But personally I never met him.»90007 90004 Christian Lacroix said he was in his early teens when the Courrèges look exploded. 90007 90004 «It’s the only style in the 20th century that eschews any historic or folkloric reference. It is the expression of the last optimistic decade in memory. The future still held promise, and fashion and design could reflect that spirit — so strong, healthy and fluid that it gave rise to an expression that did not require nostalgia nor exoticism to feed itself or gain momentum, «he said. 90007 90004 Hubert de Givenchy recalled that as a young man he would join Courrèges and his then-employer Cristóbal Balenciaga for evenings at the opera or ballet.»It makes me sad. He battled a long illness, «he said, recalling the reaction when Courrèges launched his house in 1961. 90007 90004 «It had a resounding response. It was a young and different fashion — it was revolutionary, «de Givenchy said. 90007 90004 «He was an enormous talent. I do not think he was appreciated enough at all, «Lee Radziwill recalled. «I thought it was extraordinary that The Met never had a show on his work. That was inexplicable. It was so fresh and so young — the very short skirts, the very high boots — and he was such a lovely gentleman.90007 90004 «It was such a long time ago. When he first started, I lived in London then. I would see a picture or two of his, and I just loved what he did. I had many, many things of his and it was such a pleasure to be with him and work with him. It was something I really looked forward to. He was so understanding and so low-key, and he was a gentleman. I was devoted to him and his wife. » 90007 90004 Jacques Bungert and Frédéric Torloting, the former Young & Rubicam ad executives who bought the label from Courrèges and his wife Coqueline in 2011, paid homage to his drive to innovate.90007 90004 «All his life, André Courrèges, with Coqueline, had never stopped moving forward, always inventing, always one step ahead: A visionary designer, who could already see what the 21st century would be like, and who believed in progress. This is what makes Courrèges so modern, even today, «they said in a joint statement. 90007 90004 French President François Hollande also sent a condolence message. «André Courrèges made his mark on French haute couture. A revolutionary designer who used geometric shapes and new materials, Courrèges represented a style and an era, «he said.90007 90004 «Courrèges made the women he dressed happy,» added culture minister Fleur Pellerin in a separate statement. «He invented a universe full of shapes and colors in which elegance could not be conceived without imagination, humor and a great freedom of expression and movement.» 90007 90004 Simon Porte Jacquemus revealed he collects Courrèges dresses from the Sixties. 90007 90004 «He’s one of the fashion figures who have inspired me the most, alongside Rei Kawakubo and Pierre Cardin,» said the 25-year-old designer, lauding «his silhouettes, his obsession with circles, but most importantly his playful way of looking at things — fashion with a smile.»90007 90004 Born March 9, 1923 in Pau, located in the Basque region of France, Courrèges originally trained as a civil engineer. He spent a short time working at the fashion house Jeanne Lafaurie, then became an assistant to Balenciaga. 90007 90004 He worked for 10 years in the older designer’s atelier before founding his own house in 1961 a background that was reflected in his ingenious cuts and shapes that, like those of his mentor, were inspired by geometry, in Courrèges ‘case, by squares , triangles and trapezoids.90007 90004 Courrèges was also very interested in modern architecture and technology, particularly that involving fabrics, and was one of the first designers to use plastic and PVC in his collections. 90007 90004 His spring collection of тисяча дев’ятсот шістьдесят чотири radically redefined fashion with looks that were futuristic at the time, including dresses with cutouts; short, A-line skirts; poor-boy sweaters; slim pants, and goggles and helmets inspired by astronauts. Modified cowboy hats detailed with piping were another signature item.90007 90004 Their color scheme was also futuristic: Clinical white laced with silver, primary colors and fluorescent tones. His sweaters and flat white boots, called «go-go boots,» were particularly influential among the general public. 90007 90004 The look was driven by Courrèges ‘passion for the female body and the way in which it moved. «Look at how we [the couture] have failed,» he said in 1966. 90007 90004 «A woman to drive her car must pull up her skirt. We have failed her in designing her clothes.There are occasions where pants are the thing to wear. They are more elegant on those occasions than any dress. Look at a man’s suit. How much more logical, realistic and contemporary than women’s clothes, «he added. 90007 90004 Jean-Charles de Castelbajac recalled working with Courrèges, one of his early design idols, on two collections in 1993. It was at the start of Courrèges ‘Parkinson’s disease, and they designed in tandem. 90007 90004 «It was quite a visionary concept because nobody did that officially before,» said Castelbajac, reminiscing about the «amazing fittings, where I can even remember André coloring my sketches.We were like accomplices; we thought in the same way. He was an example for me. » 90007 90004 Castelbajac believes the full impact of Courrèges on fashion has yet to be felt. 90007 90004 «It’s on the way to be realized. It is the constant of modernity — modernity as something that is not depending on fashion. It’s depending on style, on a vision. Courrèges is not about trends. Courrèges is not about the next print. Courregès is strangely a ‘cosmic classic,’ «he explained. 90007 90004 Valerie Steele, director and chief curator of The Museum at the Fashion Institute of Technology, said, «In the 1960s, the French had no youth culture the way the English and Americans did — no Beatles, no Rolling Stones.Confronted with London Youthquake fashions, the French couture was frozen. Then Courrèges used the idea of ​​futurism as a metaphor for youth — all his moon girl outfits, silver trousers, etc. That was really pivotal. 90007 90004 «His influence on world fashion was huge even when I was in grade school, those little moon girl boots were knocked off everywhere,» she said. «Periodically, anytime anybody does a futuristic thing, they do some kind of a riff on what he was doing. Some of the interesting ways he combined futurism with a Lolita-esque look was also sort of charming and indelible, so it was not just the white and silver but white and pink.»90007 90004 Lisa Perry said, «People ask me all the time, ‘Why the major focus on the Sixties and how did you get started?’ I answer, ‘It was on a trip to Paris about 20 years ago that I walked into a Courrèges store and just felt like I was home. It was white and bright and glossy with pops of bright colors and it felt so cool. Very alive. 90007 90004 «Some years later when I decided to create my own collection based on the great design of the Sixties, it was the joyfulness of Courrèges designs that spoke to me.The world of Monsieur Courrèges made me smile and I thank him for his beautiful optimistic inspiration. » 90007 90004 Didier Grumbach, the former head of the French fashion federation, noted that Courrèges remained intensely loyal to Balenciaga. 90007 90004 When the Begum Aga Khan paid him a visit after he opened his house, Courrèges told her that he would not dress Balenciaga’s clients, Grumbach reported. 90007 90004 Upon her insistence, he gave in but asked her to get permission first from Mademoiselle Renée, who ran Balenciaga’s salon.The Begum returned to Courrèges speedily with a note from Mademoiselle Renée that read: «Permission to Dress.» 90007 90004 Courrèges did not move with the times, but instead staked his highly specific claim to the futuristic and continued to sound what was once an ultramodern note — albeit one associated strongly with the Sixties — throughout his career. 90007 90004 His greatest muse was undoubtedly his wife, Coqueline. «I could not have perceived femininity without her,» he said. With her waiflike figure and precocious spirit, she modeled his designs to perfection and took a great deal of control over the house’s creative direction in the Eighties.90007 90004 Courrèges himself was rarely seen without the same pink or white cropped pants, cropped hair, cropped jacket and a pair of Pop glasses. He also retained the slenderness that had been a trademark throughout his life, which he attributed to an exercise regime that included working out, skiing and horseback riding. 90007 90004 Despite their growing fame, the couple preferred not to live an extravagant life. They took family vacations by trailer across the western United States and lived in an all-white apartment in the wealthy but quiet Parisian suburb of Neuilly-sur-Seine.90007 90004 The designer often said he felt more American than French. «I love America, I love the American spirit. The spirit of going to the moon. The American way of life. The grandeur of American space. America is a formidable, formidable country, «he said. 90007 90004 After retiring as his illness took hold, Courrèges devoted his time to painting and sculpture. His wife said in 2001: «He’s like a peasant farmer. He wakes up with the rooster, at the crack of dawn, and goes to sleep with the rooster, as soon as the sun sets.»90007 90004 When the fashion tide turned against him, Courrèges channeled his energies into architectural and environmental design. He undertook projects such as the design of a Hitachi pavilion for a 1985 world exhibition and re-envisioned the company’s robots to give them a more human, poetic image. He teamed up with Minolta to design cameras so visually compelling women bought them for the packaging alone. 90007 90004 His innovations were not limited to the visual world. The couturier was also one of the first designers to enter into licensing.In the Sixties, he sold 50 percent of his business to L’Oréal, his fragrance licensee, and that arrangement lasted until 1983, when the Japanese company Itokin acquired the L’Oréal stake. 90007 90004 At the same time, Courrèges was expanding further into the American market with the help of Descente, a second Japanese licensee, and the Courrèges sportswear line Courrèges Sport Futur. 90007 90004 After buying the company in 2011, Bungert and Torloting set about relaunching the brand through collaborations with companies including The Estée Lauder Cos., Eastpak, Evian, Alain Mikli and La Redoute. 90007 90004 In September 2015 року, Courrèges staged its first catwalk show in 13 years, marking the critically acclaimed debut of Sébastien Meyer and Arnaud Vaillant as artistic directors of women’s wear. 90007 90004 Artémis SA, French billionaire François Pinault’s family holding company, is said to have taken a minority stake in the label as it prepares to expand its retail network, though officials at Artémis and Courrèges have declined to comment.90007 90004 The designer is survived by Coqueline and his daughter, Marie. 90007 .90000 Space Age Couturier André Courrèges Dies at 92 — WWD 90001 90002 90002 90004 90005 PARIS 90006 — André Courrèges, the father of Space Age fashion, and one of the earliest advocate of pants for women for dressed-up occasions, has died at the age of 92 after a 30-year battle with Parkinson’s disease, the house said on Friday. 90007 90004 Courrèges created a style that has at times been referenced by everyone from Marc Jacobs to Karl Lagerfeld and, at its height, was one of the key couturiers for the jet set.A тисяча дев’ятсот шістьдесят п’ять WWD article was headlined in bold capital letters: «To wear Courrèges you must give yourself to him completely. Surrender. » 90007 90004 Rose and Jacqueline Kennedy, Gloria Guinness, Paulette Goddard, Françoise Hardy, the Duchess of Windsor and Lee Radziwill were among those who wore his designs. 90007 90004 With a desire to create clothing that was functional and liberating, Courrèges was one of the first designers to recognize the importance of ready-to-wear. «You do not walk through life anymore.You run. You dance. You drive a car. You take a plane, not a train. Clothes must be able to move too, «he said. 90007 90004 This freedom of movement fueled his inspiration. «I feel there is a very strong mood in the air,» he said. «Women want to wear casual, sporty clothes by day.» 90007 90004 French Culture Minister Fleur Pellerin lauded Courrèges as an innovator in tune with the underlying shifts in French society during the Sixties. 90007 90004 «In the end, he invented a universe full of shapes and colors in which elegance could not be conceived without imagination, humor and a great freedom of expression and movement.Courrèges made the women he dressed happy, «she said in a statement. 90007 90004 Former Young & Rubicam ad executives Jacques Bungert and Frédéric Torloting, who bought the label from Courrèges and his wife Coqueline in 2011, paid homage to his drive to innovate. 90007 90004 «His whole life, André Courrèges, together with Coqueline, never stopped moving forward and inventing things to be ahead of the curve — a visionary designer who foresaw the 21st century and believed in progress. That is what makes Courrèges so modern today, «they said jointly.90007 90004 Born March 9, 1923, in Pau in the Basque region of France, Courrèges originally trained as a civil engineer. He spent a short time working at the fashion house Jeanne Lafaurie, then became an assistant to Cristóbal Balenciaga. 90007 90004 He spent 10 years in the older designer’s atelier before founding his own house in 1961 a background reflected in his ingenious cuts and shapes, which, like those of his mentor, were inspired by geometry, in André’s case, by squares, triangles and trapezoids.90007 90004 Courrèges was also very interested in modern architecture and technology, particularly that involving fabrics, and was one of the first designers to use plastic and PVC in his collections. 90007 90004 His 1964 spring collection radically redefined fashion with looks that were futuristic at the time, including dresses with cutouts; short, A-line skirts; poor-boy sweaters; slim pants, and goggles and helmets inspired by astronauts. Modified cowboy hats detailed with piping were another signature item.90007 90004 Their color scheme was also futuristic: Clinical white laced with silver, primary colors and fluorescent tones. His sweaters and flat white boots, called «go-go boots,» were particularly influential among the general public. 90007 90004 The look was driven by Courrèges ‘passion for the female body and the way in which it moved. «Look how we have failed,» he said in 1963. «A woman to drive her car must pull up her skirt. We have failed her in designing her clothes. There are occasions when pants are the thing to wear.They are more elegant on those occasions than any dress. » 90007 90004 His fellow futuristic visionaries included Paco Rabanne, Rudi Gernreich and Pierre Cardin. 90007 90004 Though of a totally different school, Hubert de Givenchy nostalgically recalled joining Courrèges and Balenciaga for nights at the opera or ballet as a young man. «It makes me sad. He battled a long illness, «he said, recalling the reaction when Courrèges launched his house in 1961. 90007 90004 «It had a resounding response.It was a young and different fashion — it was revolutionary, «de Givenchy said. 90007 90004 Courrèges continues to inspire emerging designers such as Simon Porte Jacquemus, who has a collection of Courrèges dresses from the Sixties. 90007 90004 «He’s one of the fashion figures who have inspired me the most, alongside Rei Kawakubo and Pierre Cardin,» said Jacquemus, lauding «his silhouettes, his obsession with circles, but most importantly his playful way of looking at things — fashion with a smile.»90007 90004 Courrèges did not move with the times, but instead staked his highly specific claim to the futuristic and continued to sound what was once an ultramodern note — albeit one associated strongly with the Sixties — throughout his career. 90007 90004 His greatest muse was undoubtedly Coqueline. «I could not have perceived femininity without her,» he said. With her waiflike figure and precocious spirit, she modeled his designs to perfection and took a great deal of control over the house’s creative direction in the Eighties.90007 90004 Courrèges himself was rarely seen without the same pink or white cropped pants, cropped hair, cropped jacket and a pair of pop glasses. He also retained the slenderness that had been a trademark throughout his life, which he attributed to an exercise regime that included working out, skiing and horseback riding. 90007 90004 Despite their growing fame, the couple preferred not to live an extravagant life. They took family vacations by trailer across the western U.S. and lived in an all-white apartment in the wealthy but quiet Parisian suburb of Neuilly-sur-Seine.90007 90004 The designer often said he felt more American than French. «I love America, I love the American spirit. The spirit of going to the moon. The American way of life. The grandeur of American space. America is a formidable, formidable country, «he said. 90007 90004 After retiring as his illness took hold, Courrèges devoted his time to painting and sculpture. His wife said in 2001, «He’s like a peasant farmer. He wakes up with the rooster, at the crack of dawn, and goes to sleep with the rooster, as soon as the sun sets.»90007 90004 When the fashion tide turned against him, Courrèges channeled his energies into architectural and environmental design. He undertook projects such as the design of a Hitachi pavilion for a 1985 world exhibition and re-envisioned the company’s robots to give them a more human, poetic image. He teamed up with Minolta to design cameras so visually compelling women bought them for the packaging alone. 90007 90004 His innovations were not limited to the visual world. The couturier was also one of the first designers to enter into licensing.In the Sixties, he sold 50 percent of his business to L’Oréal, his fragrance licensee, and that arrangement lasted until 1983, when the Japanese company Itokin acquired the L’Oréal stake. 90007 90004 At the same time, Courrèges was expanding further into the American market with the help of Descente, a second Japanese licensee, and the Courrèges sportswear line Courrèges Sport Futur. 90007 90004 After buying the company in 2011, Bungert and Torloting set about relaunching the brand through collaborations with companies including Estée Lauder, Eastpak, Evian, Alain Mikli and La Redoute.90007 90004 In September 2015 року, Courrèges staged its first catwalk show in 13 years, marking the critically acclaimed debut of Sébastien Meyer and Arnaud Vaillant as artistic directors of women’s wear. 90007 90004 Artémis SA, French billionaire François Pinault’s family holding company, is said to have taken a minority stake in the label as it prepares to expand its retail network, though officials at Artémis and Courrèges have declined to comment. 90007 90004 The designer is survived by Coqueline and his daughter, Marie.90007 .90000 grand couturier — Translation into English — examples French 90001 90002 90003 These examples may contain rude words based on your search. 90004 90002 90003 These examples may contain colloquial words based on your search. 90004 90002 Ils sont aussi peintres, parfois sculpteurs, plus rarement 90009 grand couturier 90010. 90004 90002 Le musée est installé dans une villa bleu électrique, jadis propriété du 90009 grand couturier 90010 Yves Saint Laurent, installée dans le cadre magique du Jardin Majorelle, qui abrite plus de 300 espèces de plantes du monde entier.90004 The museum is located in an electric blue villa, owned by the 90009 fashion designer 90010 Yves Saint Laurent, amidst the magical Majorelle Garden, which boasts more than 300 plant species from all over the world. 90002 Les chaussures avaient été conçues par le plus 90009 grand couturier 90010 de Milan. 90004 The shoes were designed by the top 90009 couturier 90010 in Milan.90002 Tout au long des trois salles où sont exposées chronologiquement les pièces, l’exposition explore la trajectoire du 90009 grand couturier 90010 de Getaria, depuis ses débuts à San Sebastián jusqu’à son couronnement à Paris. 90004 Comprising three chronologically arranged rooms, the show examines the career of the Getaria-born 90009 couturier 90010, from his beginnings in San Sebastián to his reign in Paris.90002 Pierre Balmain réalise le manteau dessiné par le jeune lauréat, lequel devient à 17 ans l’assistant du 90009 grand couturier 90010. 90004 The coat the young winner designed was produced by Pierre Balmain and at 17 Lagerfeld became the 90009 great designer’s 90010 assistant. 90002 Comment transformer de banals vêtements en une tenue originale et pleine de classe? Pas besoin ici d’être un 90009 grand couturier 90010, il faut juste savoir utiliser ses accessoires à bon escient.90004 How can you make a simple outfit more original and classy? No need here to be a 90009 great designer 90010, you just have to learn to use the accessories properly. 90002 Je suis particulièrement inspirée par son univers c’était l’occasion de rendre un modeste hommage à ce 90009 grand couturier 90010 dont j’admire les collections saison après saison. 90004 I am particulary inspired by his universe and this was the occasion to make a modest tribute to the collections of this 90009 great designer 90010 that I admire season after season.90002 Cela démarre (à l’opposé des défilés) dès la sortie du magasin, lorsque le dossier de fabrication est appliqué tel un croquis de 90009 grand couturier 90010. 90004 It all starts (unlike fashion shows) from the warehouse, when the manufacturing file defines the process, in the manner of a sketch by a 90009 great designer 90010. 90002 Se tournant vers le passé, je pense que ma perception du monde et la forte nécessité de mode et d’esthétique ont été influencées pas le premier grand défilé de ma vie — le spectacle du 90009 grand couturier 90010 Lloyd Klein à Sofia… Le style et … 90004 When I look back, I think my perception and necessity of fashion and esthetics were influenced by the first big fashion show in my life — the show of the 90009 great designer 90010 Lloyd Klein in Sofia … Style and beauty in their all aspects are … 90002 Ces petites choses qui font toute la différence Comment transformer de banals vêtements en une tenue originale et pleine de classe? Pas besoin ici d’être un 90009 grand couturier 90010, il faut seulement savoir utiliser ses accessoires à bon escient.plus 90004 Little things, big effect How can you make a simple outfit more original and classy without spending a fortune? No need here to be a 90009 great designer 90010, you just have to know how to use the accessories for maximum effect. more 90002 C’est un 90009 grand couturier 90010, un personnage télévisé charismatique, un super businessman qui s’investit aussi dans plusieurs projets philanthropes.90004 A 90009 great designer 90010, a great tv personality, a great businessman and also dabbles in philanthropic initiatives. 90002 C’est d’un 90009 grand couturier 90010. 90004 90002 Le 90009 grand couturier 90010 Raf Simons a même imaginé des textiles couture pour la maison. 90004 90002 La couturière de Renegade fait beaucoup de tutoriels upcycling 90009 grand couturier 90010.90004 The Renegade Seamstress does a lot of 90009 great fashion 90010 upcycling tutorials. 90002 Un 90009 grand couturier 90010 au service des femmes, pas de la mode. 90004 90002 Paco Rabanne est un 90009 grand couturier 90010. 90004 90002 Une collection sera dessinée pour elle par le plus 90009 grand couturier 90010 — de Paris.90004 90002 Portée avec un jean de 90009 grand couturier 90010, elle peut devenir un accessoire branché d’une tenue décontractée. 90004 90002 Nous devons élaborer des politiques sur mesure adaptées à la taille des différentes PME, du tailleur indépendant au 90009 grand couturier 90010. 90004 We must tailor-make policies for different-sized SMEs, whether for the one-person tailor or the 90009 larger clothing firm 90010.90002 Ces croquis prouvent qu’Yves Saint Laurent n’est pas seulement le célèbre 90009 grand couturier 90010 que l’on sait, mais aussi un éblouissant dessinateur de mode. 90004 These drawings prove that Yves Saint Laurent was not only the 90009 great couturier 90010 as we know him but also a dazzlingly gifted fashion draftsman. .90000 90001 un célèbre couturier parisien translation English | French dictionary 90002 90003 90004 Le couturier célèbre le chic parisien dans un style moderne et … 90005 90004 The famous fashion designer displays Parisian chic in a modern and … 90005 90008 90003 90004 Rappelons que devant la crise a frappé un an plus tôt, un célèbre couturier Valentin Yudashkin proposé défense leurs modèles sur le même ensemble de choses soldats en moyenne 120-130 mille roubles, et un uniforme de général avec les choses attendant — dans la moitié .90005 90004 Recall that before the crisis hit a year ago, a famous fashion designer Valentin Yudashkin proposed Defense their designs on the same set of things Soldiers on average 120-130 thousand rubles, and a general’s uniform with the attendant things — in half. 90005 90008 90003 90004 Dans le 2e épisode, elle reçoit la visite des jumeaux Fox: Daniel, un célèbre couturier et son frère Frank, qui installe l’accès à Internet sur l’ordinateur du salon.90005 90004 A pair of brothers then visit the player’s house: Daniel Fox, a famous designer and his twin brother Frank Fox, who installs an Internet service in the player’s computer. 90005 90008 90003 90004 L’élégante carrosserie de ce roadster a été réalisée par le couturier parisien Paul Née. 90005 90004 The elegant bodywork of the roadster was designed by the Parisian couturier Paul Née. 90005 90008 90003 90004 Il est élevé par sa mère qui travaille pour des couturiers parisiens, notamment en faisant des ourlets de chemises.90005 90004 From the age of six, he was raised by his mother; she worked for Parisian couturiers, in particular doing hems of shirts. 90005 90008 90003 90004 Jeter un coup d’oeil à un couturier parisien créatif, ne peut que t’aider. 90005 90004 Having a peek at the work of a truly creative Paris designer can only help. 90005 90008 90039.